
Have you ever examined the inside of one of the “high end” preamplifiers or power amplifiers and wondered how it can possibly sell for $3000, $4000, or even $5000. Surely somebody is making a killing. Well, the unfortunate truth is that the manufacturer is probably making less profit on his “flagship” preamp that if they were in some other “industrial” business. The long trail of failed high end audio manufacturers is testimony to the reality.
How is that possible? It is very interesting to follow the
money to see how this happens in the high end audio business. We’ll examine
the plight of that $5000 preamplifier. Let’s say that you are so overwhelmed
with its performance that you decide to write a check to the dealer for $5000.
Let’s follow your $5000:
|
Where
the Money Goes |
% |
Amount |
Remains |
|
Retail Price = |
|
$5,000 |
|
|
Dealer profit = |
33% |
$1,650 |
$3,350 |
|
|
|
|
|
|
Manufacturer Gets = |
|
$3,350 |
$3,350 |
|
Warranty, Service &
Support = |
12% |
$402 |
$2,948 |
|
Sales, Marketing, &
Overhead (Lights, Heat, Rent) = |
15% |
$503 |
$2,446 |
|
R&D (Design, Testing,
Refinement, Prototypes) = |
15% |
$503 |
$1,943 |
|
Assembly Labor (@ $75 /
hour typical) = |
40% |
$1,340 |
$603 |
|
Non-Electronic Matls
(Enclosure, connectors, pots) = |
10% |
$335 |
$268 |
|
Elec Matls (Resistors,
Caps, Tubes, Transformers) = |
|
$0 |
$268 |
The dealer takes 33% sometimes more. So the high end
manufacturer has to run his business with the $3350 that’s left. When you have
a question and need to know if it’s compatible with a certain power amp or
cartridge, or can you try alternate tubes, or any other question or problem you
may have, any reputable manufacturer should be there to support you. For this
they easily deserve that 12% (typical support percentage). They have to pay
their sales, marketing, and the rent and utilities – conservatively a 12%
item. Then there’s the cost to support an engineering team that designed and
built the prototypes. The design must be auditioned and continually refined with
its associated rebuilds, auditions, re-design sequence. Engineering can easily
consume 15% of sales. And we haven’t considered the day-to-day problems that
surface with suppliers going out of business and manufacturing floor problems
all needing engineering involvement.
To build the chassis, boards, perform final assembly, test
it in the lab and hopefully audition it to be certain that it meets the audible
criteria can easily consume 18 hours – therefore at $75 / hour we need to set
aside nearly $1400. So now we finally can start buying the parts. I’ll assume
that if you are going to plunk down five grand, you don’t expect a thin
hammertone gray metal case with plastic knobs. If you have ever completed a DIY
project you can easily understand how the non electronic parts can quickly reach
$300 (at least). OK – then what’s left for all of those super Teflon or poly
caps, bulk metal foil resistors, premium low noise tubes, custom transformer,
and high-speed diodes? Can you believe $268. It’s sobering to learn that only
$608 of your $5000 went into the parts you actually carried home.
What’s it Worth to You
If you had to write a separate check for all of those
pieces, how many checks would you write – in other words, what has value to
you here? Certainly the engineering and hopefully the warranty service &
support. And of course you expect to actually pay for the materials. But, what
about the nearly $1400 of labor – can you assemble it yourself? And how
important is it to purchase it through a local dealer? Are you willing to bypass
your local dealer and purchase directly from the manufacturer? (Let me remind
you – that question will cost you $1600 or more.) You begin to understand why
the manufacturer direct kit suppliers are becoming so popular.
So perhaps of that $5000, only the warranty ($402), Engineering ($503), and materials ($ 335 + $268 = $603) actually have value to you (for a grand total of about $1500 and your own labor).
We’ve made a reasonably compelling case for buying direct and building it yourself, but let’s get back to the original question: “Why Upgrade? To answer this, let’s fast-forward five years from the day that you were about to write that $5000 check. Since that time at least 10 “new and improved” designs have appeared at your local high end dealer. And out of curiosity one day you happen to look into the current used market price of that preamp “you always wanted” and find that it’s selling regularly at e-bay for about $800.
Do all those “new and improved” preamps actually sound
that much better than your treasured five year old? Actually they probably do.
However, it is not because the designers have developed a radical and
revolutionary new amplifier that completely rendered obsolete everything that
has come before. In fact what had happened over that time has been the
development and / or availability of better power supply technology, capacitor
dielectrics, resistor materials, and other components. They have been either
identified from other applications (for example spacecraft or military
specifications) or have been specifically designed for audio use.
This is an extremely important fact for those either
unwilling or unable to write the $5000 check. Because today and now, you can
find that original $5000 preamp for nearly the same price as it would cost to
buy just the non-electronic parts (anodized enclosure, gold brushed faceplate,
premium switches, knobs, and connectors, …..). And more importantly, should a
competent designer choose to focus his / her efforts accordingly, they can apply
their skills and improve the original with a series of changes ranging from
upgrades to full modifications. The result will equal or surpass the most
anything currently available. This is especially true with quality vintage tube
equipment such as Dynaco, Marantz, and HK Citation and the proliferation of
upgrades and modifications available are testimony to this fact.
Many used audio components (especially of tube heritage)
can be made to equal and exceed the performance of current vogue “off
the shelf” offerings. This is not an exaggeration but very attainable when
used but well designed components benefit from a carefully well thought out
application of the latest technology advances in resistors, capacitors, tubes,
wiring, grounding topology and solid power supply design rules. Remembering the
discussion on costs, the designer can capitalize on the bargain in non
electronic components and therefore be less concerned with the cost of the
electronic components making choices that directly impact the sound and none of
the other non sound related costs. Costs can be further controlled by
offering the upgrade in a “low cost” basic package (with a standard
component set) and a collection of premium options that may be easily added at
any time. The premium options can be structured to incorporate select tubes,
capacitors, or other improvements. In this way you can purchase the basic
package with selected options and incrementally add more options to meet your
budget or needs.
Perhaps the most significant benefit is that as the
engineering team will continues to refine the design (with the continuous stream
of technology), those advances will become available as incremental upgrades to
you. You can therefore be assured of a clear and consistent path to always
enjoying the best performance possible.
It is clear that the upgrade path offers the most performance for the dollar. Capitalizing on the elimination of dealer markups, deprecation of material costs, reduced overhead costs, and should you choose, elimination of labor, your dollars are focused at the most valuable elements – the engineering, materials, and support. With a models plus options structure, the end user can purchase only what is affordable with the knowledge that through the options path they will have the best performance available when their budget or temperament is willing. Additionally, as the design engineers further develop and advance the performance, the component can easily and incrementally benefit from each advance.